30. April 2011 16:15
You are supposed not to transition from an out-of-focus foreground into an in-focus background, or blow your highlights. Although (using my new old camera) I could have retrieved all the highlights in the sky, I decided a notch of pure white actually looked more effective. The Topaz Adjust “dramatic” filter has been applied the sky too, which risks making parts of it darker than the lit grass (another non-no).
Oh well …